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Chapter 5 - The Estate's Forgotten RoomsCarlo Bellini arrived at 8:30 a.m.

He wore a dark blue suit, carried no visible weapon, and entered the estate with the easy confidence of a man who had never been denied access.

Two decades earlier, Carlo had taught Dante how to negotiate with men who smiled while planning betrayals. He had stood beside Dante's father at family dinners and comforted Dante after the old man's funeral.

To everyone outside the family, Carlo was a senior adviser.

To Dante, he had once been almost another father.

That history made the sight of him walking into the study feel strangely unwelcome.

“You look terrible,” Carlo remarked.

“Good morning to you, too.”

“I heard about the lockdown. Victor says you've found a hidden passage.”

Dante watched him remove his gloves.

“Victor talks too much.”

“Victor worries about the family.”

“Then he should worry quietly.”

Carlo smiled faintly.

He was in his late fifties, with silver at his temples and a calm expression that rarely changed. His left hand rested beside the folder he had brought.

On his little finger sat a silver ring.

Three narrow marks circled a black stone.

Dante felt his pulse slow.

He had seen that symbol on Victor's ring.

He had seen it in Sophie's drawing.

And now it sat on the hand of the man who had accused Rafael Alvarez of betraying the family.

Dante forced himself not to react.

“Where were you last night?” he asked.

Carlo looked mildly surprised.

“At home.”

“Anyone confirm that?”

“My wife and half a dozen employees.”

“Convenient.”

The older man's smile disappeared.

“What's happening to you, Dante? You're questioning your own people because a child heard knocking?”

“No,” Dante replied. “I'm questioning my own people because someone accessed a restricted surveillance system using my credentials.”

Carlo set the folder down.

“That sounds serious.”

“It is.”

“Then you should be focusing on the person responsible, not inventing connections between an old security guard and an expensive ring.”

Dante stared at him.

Carlo hadn't been told about the ring.

He hadn't been told what Sophie had drawn.

Yet he'd mentioned it.

A mistake.

Small, almost invisible.

But real.

Dante sat back.

“Tell me about Rafael Alvarez.”

Carlo's expression remained composed.

“A man who made unfortunate decisions.”

“Which decisions?”

“He stole internal information. He threatened to expose confidential operations. When we confronted him, he fled.”

“And his car caught fire?”

“So I was told.”

“You handled the investigation.”

“Yes.”

“Did you ever find his body?”

Silence.

Only for a second.

Then Carlo answered, “The vehicle was destroyed by the fire. Identification was difficult.”

“But you declared him dead.”

“We had witnesses who knew he was the driver.”

“Who?”

Carlo narrowed his eyes.

“Must we do this now?”

Dante stood.

“Yes.”

The older man regarded him for several long seconds.

“Your father would be disappointed to see you treating loyal people like enemies.”

Dante walked around the desk.

“My father is dead. I'm not.”

For the first time, something cold appeared in Carlo's eyes.

Then he straightened and picked up his gloves.

“I came because I thought you might need help. Clearly, you prefer suspicion.”

“Clearly.”

Carlo headed for the door.

Before leaving, he glanced toward the corridor.

“How is the child?”

Dante remained still.

“What child?”

Carlo looked back at him.

“Sophie's daughter. Elena's little girl.”

“You just said you knew nothing about this investigation.”

“I didn't.”

“Then why are you asking about her?”

“Because people have been whispering about her all morning.”

Carlo smiled.

“Be careful, Dante. Enemies can exploit compassion more easily than weakness.”

He left.

Dante waited until the footsteps faded before calling Rossi.

“Follow him. Don't approach him. I want to know where he goes, who he meets, and whether he contacts Victor.”

“Understood.”

“And get me the original architectural plans of this estate.”

An hour later, the plans arrived.

Dante spread them across the study table. The modern estate consisted of three main levels, a basement, and a network of utility corridors.

But the oldest blueprint revealed something unexpected.

The passage behind Sophie's bedroom was part of a much larger tunnel system built nearly seventy years earlier, when the property had belonged to a wealthy industrialist who feared kidnapping.

One tunnel connected the servants' wing to the wine cellar.

Another ran beneath the east garden.

The third ended in a room marked with a handwritten note.

PRIVATE ARCHIVE. ACCESS RESTRICTED.

Dante studied the location.

The archive was supposedly sealed after his father's death.

Nobody had used it in at least fifteen years.

Nobody except, apparently, someone who had found a way into the hidden passages.

He called the estate manager.

“Who maintained the old archive?”

“Your father did, sir. After he died, Mr. Bellini instructed us to seal it.”

“Why?”

“He said the rooms contained sensitive family documents.”

“What documents?”

“I don't know.”

Dante looked at the blueprint again.

“Who has keys?”

“The original key was transferred to Mr. Bellini.”

Dante hung up.

For a long moment, he stared at the map.

Then he heard a small knock at the door.

Sophie stood in the doorway holding a sheet of paper.

“Can Bruno have breakfast in your office?”

Dante blinked.

“What?”

“He doesn't like eating alone.”

Behind her, Bruno waited patiently beside a bowl.

Dante almost laughed.

“Bruno eats with me every morning.”

“Not anymore,” Sophie said solemnly. “He has to make sure I'm safe.”

There was such complete seriousness in her voice that Dante couldn't find an argument.

“Fine. Bring him in.”

Sophie entered and placed her drawing on the table beside the blueprints.

Dante glanced down.

Then he froze.

The drawing showed a star-shaped object surrounded by three black circles. Beneath it, Sophie had drawn a small door.

“What's this?”

“Papa drew it for me.”

“When?”

“Before he went away.”

Dante examined the picture.

The black circles formed the same pattern as the marks engraved around Carlo's ring.

At the bottom, in Rafael's handwriting, were four words.

THREE KEYS. ONE LIAR.

Dante stared at the message.

A memory surfaced.

His father had once told him about an old internal security circle called the Three Keys, established to protect the family's most sensitive records. Each member carried a distinctive ring.

The circle had been disbanded after his father's death.

Or so Dante had believed.

He looked at Sophie.

“Do you know who drew the circles?”

She shook her head.

“Papa said they were bad men.”

“Did he give you anything else?”

Sophie pressed her lips together.

Then she whispered, “He told me the little star was a key.”

Dante turned toward the old blueprint.

The hidden archive.

The three tunnels.

The silver rings.

Suddenly, the scattered pieces were beginning to form a picture.

But before he could say another word, his telephone rang.

It was Rossi.

“Boss, we have a situation.”

“What is it?”

“Carlo just met Victor Raines at an abandoned garage.”

“And?”

Rossi hesitated.

“They weren't alone. There was another man with them.”

“Who?”

“A man your father supposedly buried twenty years ago.”

Dante's fingers tightened around the telephone.

“Give me a name.”

Rossi's answer was barely audible.

“Silas Vane.”

Dante stared at the silver circles drawn on Sophie's paper.

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Silas Vane had been the most dangerous enemy his father ever faced.

And according to the official records, he had been dead for two decades.

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