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Chapter 9 - The Red Door at the LakeI told Detective Ortiz about the call.

She immediately ordered a trace and sent officers toward the lake, but the line had been routed through a disposable service. The last usable signal placed the caller somewhere near the old property.

She made me repeat my promise.

Stay behind the perimeter.

Do not enter the building.

I nodded.

Then I did something I would regret for a long time.

I lied.

I told Ortiz I needed to call the hospital to arrange a transfer for Emily. While she coordinated the search, I took a side exit and drove toward the lake.

I wasn't trying to be brave.

I was terrified that if I waited another minute, Sarah would be gone.

The road narrowed beneath a canopy of trees. The sky had darkened, and rain began tapping against my windshield.

When I reached the property, the main building stood empty. Its windows were boarded, its roof sagged, and weeds covered the gravel drive.

The boathouse sat at the water's edge.

A red metal door faced the trees.

I parked far enough away that my headlights wouldn't reach the building.

Inside, I could hear a generator running.

I moved along the exterior wall until I found the service entrance. It wasn't locked.

That should have been my first warning.

The second was the strip of fresh mud on the floor.

Someone had entered recently.

The interior smelled of gasoline and damp wood. Several old workbenches stood against the walls, surrounded by boxes and rusted tools.

"Sarah?" I whispered.

A faint knocking answered from somewhere below.

Three knocks.

I followed the sound to a narrow set of stairs descending into darkness.

At the bottom was a concrete corridor. Pipes ran along the ceiling, and a line of electric lights illuminated the walls.

I walked slowly, trying not to make a sound.

At the end of the corridor, a door stood open.

Sarah sat inside a small room, her wrists tied to a metal chair. Her face was bruised, and dried blood darkened the collar of her shirt.

When she saw me, she began to cry.

"Michael, no."

I rushed toward her.

"Are you hurt?"

"He's waiting for you."

I cut through the cord around her wrists with a small utility knife from the workbench.

She grabbed my arm.

"You have to leave. He wants the recording."

"I know."

"No, you don't understand. Daniel isn't the only one."

I froze.

"What do you mean?"

Sarah looked past me.

A door slammed at the other end of the corridor.

Jason stepped into view.

He held a small pistol at his side.

"Hello, Michael."

I moved in front of Sarah.

Jason smiled faintly.

"You should have listened to the detective."

"Put the gun down."

"Give me the card."

"I don't have it."

He tilted his head.

"Then why did you bring Bluebird?"

I hadn't realized I'd carried the toy with me. I'd grabbed it from the car when I left the hospital, intending to show Rebecca the hidden card's stitching.

Jason's gaze settled on it.

"Put it on the floor."

I obeyed.

He kicked the toy toward himself, then crouched to inspect the left wing.

"You know," he said, "I never understood why Sarah was so determined to protect that ridiculous thing."

Sarah pulled against the ropes around her chair.

"Leave him alone."

Jason's smile vanished.

"Everything that happened is your fault."

"No," she said. "Everything that happened is yours."

For the first time, I saw something break through his composure.

He struck her.

I lunged at him.

We hit the workbench, sending tools clattering across the concrete. The pistol skidded away. Jason was stronger than he looked, and he drove his shoulder into my ribs hard enough to knock the air from my lungs.

He grabbed my shirt and shoved me against the wall.

"Where is the original?"

I couldn't breathe properly.

"I don't know."

He hit me again.

Sarah screamed.

Then the lights went out.

The generator choked, rattled, and died.

In the darkness, I heard a chair scrape.

A door opened.

And someone whispered from the far end of the corridor.

"Michael, run."

May you like

It wasn't Sarah.

It was Deputy Daniel Bell.

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